Shooting F1 at the Melbourne Grand Prix – My Experience from the Webber Grandstand

Planning to photograph the Formula 1 Australian Grand Prix? Discover why the Webber Grandstand is a top choice, lens tips for Turn 11, and how to get clean, fence-free shots at Albert Park.

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Choosing the Right Grandstand for F1 Photography

Attending and photographing the Formula 1 Australian Grand Prix in Melbourne is always an adrenaline-filled experience — and getting the right seat can make all the difference, especially if you’re looking to capture stunning motorsport photography.

This year, I chose the Webber Grandstand, and I couldn’t have been happier with the decision. Positioned at Turn 11, a low-speed corner, it’s perfect for F1 photography. The slower speeds here make panning shots much easier, giving you a better chance of nailing those tack-sharp frames with beautiful motion blur in the background.

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Best Seat in the House? The Back Row of the Webber Grandstand

My biggest tip: go for the very last row in your chosen grandstand. Here’s why:

• You can stand up without blocking anyone behind you — crucial when tracking cars through a corner.
• From the back row of the Webber Grandstand, you can see over the catch fencing, giving you a clear line of sight to the track — no steel mesh ruining your shots!

This makes a huge difference for image quality and clarity, especially if you’re shooting with telephoto lenses.

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Lens Recommendation for F1 at Albert Park

For the Webber Grandstand, a 200mm lens is more than sufficient. The cars come fairly close, and the corner layout means they aren’t zipping past at 300 km/h — you get just enough time to track, focus, and shoot without stressing your autofocus system. For panning shots, lowering to 1/250s gave more motion blur on the wheels and background.

I personally used a Sony 70-200mm GM II, and found it perfect for:

• Tight close-ups
• Smooth panning shots
• Capturing action through the turn with good detail

If you’re using a full-frame mirrorless or DSLR system, a 70-200mm (or equivalent APS-C telephoto) lens is ideal.

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Final Thoughts: Photographing F1 in Melbourne

If you’re heading to Albert Park Circuit with a camera in hand, planning ahead can really elevate your F1 photography experience.

Here’s a quick recap:

• ✅ Choose a corner with slower speeds like Turn 11
• ✅ Grab a back-row seat in the grandstand for standing room and a fence-free view
• ✅ Bring a 200mm lens — no need for ultra-long glass at this spot

Whether you’re a motorsport fan, a photographer, or both — the Melbourne Grand Prix is a must-shoot event. With the right prep, you’ll walk away with shots you’ll be proud to show off.

See you trackside next year! 🇦🇺

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FAQ

Q: What is the best lens for photographing F1 at Melbourne?
A: A 70–200mm zoom is versatile for capturing cars at corners like Turn 11 from the Webber Grandstand, balancing reach and image sharpness.

Q: Do you need a special pass for photography at the Melbourne GP?
A: General admission or grandstand tickets are enough for personal photography. Professional gear may require media accreditation.